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Six Figure 335’s?

Where have all the blondes gone? To collectors who will probably be buried with them. They only made 209 of them, so it's not surprising that they have become so hard to come by. I haven't seen a no issue 59 stop tail hit the market in almost two years. There have been a few 58's, some Bigsby's and a couple of 60's. This killer 58 will be in my hands soon.

Where have all the blondes gone? To collectors who will probably be buried with them, that’s where. They only made 209 of them, so it’s not surprising that they have become so hard to come by. I haven’t seen a no issue 59 stop tail hit the market in almost two years. There have been a few 58’s, some Bigsby’s and a couple of 60’s. This killer 58 will be in my hands soon.

By any standard, the 335 is kind of a deal. Granted there is a pretty big range for the “Golden Era” guitars but when you put it up against the current giants of the collectors world, a 335 is downright cheap. Let’s look at the current market at the top end.

There were somewhere around 1400 Les Paul bursts built. LP guys will argue there are less because all of them can’t still be intact but that applies to any old guitar.  I’ve seen bursts with issues on the market for $80,000 (repaired headstock and a few minor issues) all the way up to $1,000,000. I don’t know what the highest price ever realized for a non celebrity owned burst is but it’s a lot higher than the highest price ever paid for a non celebrity owned 335. I know of at least one LP that sold for over $400K. There are a fair number in the $250K range. Most sales at this rarefied level are private and the prices paid aren’t public knowledge. Could one have sold for a million bucks? Maybe. Seems like a lot of money for a guitar.

I’ve written extensively about the fact that rarity isn’t the main factor in guitar values. Rarity only matters when the supply is wildly outstripped by demand. And that’s true of a few guitars in the Gibson lineup. Take the original Gibson Explorer. They allegedly made somewhere between 35 and 100 of them between 58 and 63 and they hardly ever come up for sale. Again, I don’t know how high they actually go-I know of at least one that reached $350,000. There is one on the market now for $750,000. Flying Vees are in the same ballpark even though there are perhaps twice as many of them as there are Explorers. Again, I know of a Vee that sold for around $300K. I don’t really keep track of these things so there certainly could be higher sales. The shipping totals are speculative. No one seems to know exactly how many left the factory.

There are no other Gibson guitars that even approach these numbers. If you ask me (and I know you will), the 335 is every bit as good a guitar as a Les Paul, an Explorer or a Flying Vee. The circuit is pretty much the same. The pickups are the same. The design is every bit as good and playability is arguably better on a 335 than any of them. Again, my opinion. Tone is subjective but plenty of folks have called 335’s (and 345’s) “burst killers” and some of these folks are burst owners. You know who you are. So why can you buy a sunburst 58, 59 or 60 ES-335 for $20,000 (for a 60 with minor issues) to $50,000 (for a mint 59)? It has to be the demand. There were about the same number of 58-60 335’s made as there were 58-60 Les Pauls. There were around 1700 58-60 Les Paul Standards (some 58’s were gold tops). There were around 1300 335’s made during the same period. Interestingly, a lot more 58-60 335’s come on the market for sale than do Les Pauls. But here’s where it gets strange. The blondes.

There were 209 blonde 335’s built from 58-60. There are a few built later-I know of one 61, one 63 and one 64. Of the 209 dot neck blondes built, I’m sure a few didn’t survive the nearly 60 years since they left Kalamazoo. So, lets be generous and say that 20 were either refinished, broken or simply trashed in some way, leaving 189. There must be at least 100 already in the hands of collectors and probably more than that. I know a lot of the owners and a few with multiple blonde 335’s. They are very attached to them so many of these guitars are effectively off the market for the foreseeable future. So, how many are left with original or later owners or widows and families that will hit the market as “uncirculated” 335TDN’s? Well if the present slate of blonde 335’s is any indication, precious few. There was one 60 at a well known dealer in California listed at $100K. An unbound 58 in the Heartland for $86K which apparently sold recently, although I don’t know the sale price . There is a Bigsby 60 with a 345 fingerboard at $72K and a Bigsby 60 with an unusual “Custom Made” plate in a lower than normal position for $66K. The only other one I know of is a 58 that has a damaged top.  As I said, not much out there.

I know that stop tail blondes approached and, although I don’t have absolute proof, reached $100K in 2008. I predict they are on their way back to that number. There simply aren’t very many left.  The old rule of thumb for blondes was double the price of a sunburst. With near mint sunburst 59’s now approaching $50K, a near mint blonde 59 should be at $90K+. Call me biased, but that still seems like a much better deal than a $300,000 Vee or a $750,000 Explorer.

Unbound 58's are a little less desirable to many collectors. I think they are very cool. This one looks like the top came from the same piece of maple as the bound one at the top. I sold this one in 2015.

Unbound 58’s are a little less desirable to many collectors. I think they are very cool. This one looks like the top came from the same piece of maple as the bound one at the top. I sold this one in 2015.

11 Responses to “Six Figure 335’s?”

  1. RAB says:

    Charlie, right-on comments as usual. Yes, the blonde dot 335 is rare AND beautiful. More beautiful than any Korina guitar and many Bursts IMHO! I owned a flamey ’59 ES-335TN years ago (supposedly an ex-Elvin Bishop guitar) and it was a Burst killer. I’d own another blondie if I had enough spare coin!

  2. Richie says:

    Charlie- Spot on! 335’s are practically the same guitar as a burst. I own one of each, and I can tell you, that for all the love I get out of playing my 1960 LP…I find that the ES-335 is a bit more versatile. I love the ease of controlling sustain and feedback with the semi-hollow bodies. I do, however, prefer the body shape of the Les Paul. Both are similar and wonderful.

  3. Richie says:

    1960 Les Paul and an ultra rare stop tail cherry 1959 ES-345, w/double white PAF’s.

  4. RAB says:

    Richie, nice fiddles! I owned ’59 cherry red 345 A31411 years ago…shoulda never cut it loose!

  5. RAB says:

    My ’59 red 345T had black bell knobs…

  6. Richie says:

    RAB- I wound up w/your big neck/double white 59 mono clean ES-355. I never should have let THAT go! 🙂

  7. Richie says:

    Just checked…mine is A31038. I had the double whites installed.

  8. James says:

    I don’t see why the unbound 58’s are less popular. It’s the mark of a very early build of the greatest guitar design ever! Spectacular top on that bound 58. I really like that blister effect in the wood. It’z amazing, when you think about it, that the people who built these had no clue as to how sought after they would be in the future. Would love to hear some stories from one of their factory workers that was in the project from the beginning. Could be an awesome chapter of a book, wink.

  9. RAB says:

    So THAT Richie! Great hearing from you man! Yes, that 355 was a killer player and killer clean!

  10. RAB says:

    I sold Charlie my ’63 stoptail, mono 355…got a clean ’63 sunburst 335, big neck (PAF in the neck position, patent # in the bridge)..I’m looking forward to gigging that git a lot! Keep on Bluesin! RAB

  11. RAB says:

    Richie, see this site’s Readers Gallery for pix of the ’63 335…take care, RAB

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